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His wife forces him to go to a party at the home of her influential father, who wants to introduce him to a potential employer.
Her brother brings babysitter Marianne Renoir to take care of their children. Feeling bored at the bourgeois party, Ferdinand borrows his brother-in-law's car to head home.
He meets Marianne, who was his mistress five years ago and insists on calling him Pierrot, and offers to take her home. They spend the night together and he learns that she's involved in smuggling weapons.
When terrorists chase her, they decide to leave Paris and his family behind and go on the run, on a crazy journey to nowhere.
Jean-Luc Godard's Pierrot le Fou begins with a montage that features some of the most beautiful images ever caught on film.
Tellingly, the only other '60s film to feature such lush photography was Godard's Contempt. But even before these images appear, we've been captured by the soundtrack.
Some of the most creative exposition ever follows and things only get better from there on in. To summarize Pierrot is to betray its essence -- it's as much about its own making as any story -- but here goes nothing: Pierrot, a bored man stuck in a bourgeois marriage, runs off with his children's babysitter, Marianne, herself hiding from gangsters.
Bizarre musical numbers and hilarious conversations with no relevance to the plot sometimes break up the story. Characters talk to the camera, and Pierrot yells "Mais, je m'appele Ferdinand!
Godard is often called elitist or inaccessible. That's not true, however, and Pierrot is, above all, wild, anarchic fun.
Try not to laugh during the absurd bits featuring a sailor who complains that he's had a song stuck in his head for several decades.
Try not to grin when Pierrot and Marianne "reenact Vietnam" for a group of American tourists. Pierrot is one of cinema's essential films, perhaps because it came at the precise moment when Godard hit his all-time peak.
Made in , it came during the eight-year period ''67 during which the man made a jaw-dropping fifteen films. Some of them work better than others -- no wonder, for he was experimenting with all of cinema's possibilities -- but many are masterpieces, and Pierrot is the crown jewel.
In many respects, Pierrot is flawless. In all others, it remains great art. Prime Video has you covered this holiday season with movies for the family.
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Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites.
User Reviews. User Ratings. External Reviews. Metacritic Reviews. Ferdinand Griffon is unhappily married and has been recently fired from his job at a TV broadcasting company.
After attending a mindless party full of shallow discussions in Paris, he feels a need to escape and decides to run away with ex-girlfriend Marianne Renoir, leaving his wife and children and bourgeois lifestyle.
Following Marianne into her apartment and finding a corpse, Ferdinand soon discovers that Marianne is being chased by OAS gangsters, two of whom they barely escape.
They lead an unorthodox life, always on the run. When they settle down in the French Riviera after burning the dead man's car full of money and sinking a second car into the Mediterranean Sea , their relationship becomes strained.
Pierrot ends up reading books, philosophizing, and writing in his diary. Marianne becomes bored by their living situation and insists they return to town, where they meet one of their pursuers in a nightclub.
The gangsters waterboard Pierrot and depart. In the confusion, Marianne and Pierrot are separated. He settles in Toulon while she searches for him.
After their eventual reunion, Marianne uses Pierrot to get a suitcase full of money before running away with her real boyfriend Fred, to whom she had previously referred as her brother.
Pierrot shoots Marianne and Fred, then paints his face blue and decides to blow himself up by tying sticks of red and yellow dynamite to his head.
He regrets this at the last second and tries to extinguish the fuse, but he fails and is blown up. Like many of Godard's films, Pierrot le fou features characters who break the fourth wall by looking into the camera.
It also includes startling editing choices; for example, when Pierrot throws a cake at a woman in the party scene, Godard cuts to an exploding firework just as it hits her.
The film has many of the characteristics of the then dominant pop art movement, [4] making constant disjunctive references to various elements of mass culture.
Like much pop art, the film uses visuals drawn from cartoons and employs an intentionally garish visual aesthetic based on bright primary colors.
Sylvie Vartan was Godard's first choice for the role of Marianne but her agent refused. As with many of Godard's movies, no screenplay was written until the day before shooting, and many scenes were improvised by the actors, especially in the final acts of the movie.
The shooting took place over two months, starting in the French riviera and finishing in Paris in reverse order from the edited movie.
The director said the film was "connected with the violence and loneliness that lie so close to happiness today.
It's very much a film about France. The American film director in the party scene is Sam Fuller as himself. It was one of its first titles released on Blu-ray [9] before being discontinued after Criterion lost the rights to StudioCanal.
The Ford Galaxie that was driven into the water and sunk was Godard's own.
In unserem Testbericht Pierrot Le Foot wir Sie auch auf die Vor- und Nachteile, solltest du, und Sie! - Gastgeber: Boris Bašić
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